You are here:

The Last Vendetta

Name: The Last Vendetta
Director: Shota Managadze
Released: 1966
Duration: 89 min

Representation Score

3.3/10

Limited

1966

Director

Shota Managadze

Runtime

89 minutes

Average Rating

No ratings yet

New Showbiz Analysis

The Ballad of Khevsureti is a historical drama that emphasizes regional folklore and traditional social structures. It excels in offering a rich, specific portrayal of the ethnic identity of the Georgian highlands. However, the film heavily relies on conventional gender roles and honor-based conflicts, reinforcing patriarchal structures and traditional social codes without challenging them. Ultimately, the work serves as a piece of cultural preservation that prioritizes historical realism over contemporary social critique.

Watch this, not that →

Category Breakdown

Does The Last Vendetta have LGBTQ+ representation?

Limited

The film focuses on a traditional love triangle involving three characters: Imeda, Mzekala, and Torghva. There are no indications of queer subtext or non-straight identities in the story.

How does The Last Vendetta portray gender?

Fair

The storyline follows a typical masculine path characterized by sword fighting and blood revenge. Although Mzekala is central to the romance, she primarily serves as a catalyst rather than the main driver of the plot.

How racially and ethnically diverse is The Last Vendetta?

Good

The film provides a detailed look at the Khevsureti region, highlighting its unique ethnic identity through the lens of Georgian highland culture and local customs.

How does The Last Vendetta represent religion and culture?

Limited

The narrative is deeply rooted in traditional values and ancestral honor, emphasizing the importance of customary laws and communal justice systems without questioning them.

Does The Last Vendetta include disability representation?

Minimal

There are no visible or implied representations of characters with disabilities in the film.

Present on Screen

Provides a detailed look at the Khevsureti region
Explores the distinct ethnic identity of Georgian highlands
Captures regional folklore and historical realism

Limited or Absent

Relies on traditional romantic clichés
Features gender dynamics focused on male-driven violence and honor
Reinforces patriarchal structures and conservative social codes

Official Synopsis

When Imeda’s father is killed in a blood revenge accident, the family moves him to the city where he is sheltered at his father’s friend. After fifteen year he gets back to Khevsureti. A talented painter, he spends most of his time doing sketches of nature and people. There he meets a local beauty, Mzekala and fells in love with her but finds out that Torghva is also in love with her. Enraged by Imeda’s impudence Torghva calls him for a sword fight and is killed by Imeda. To avoid another round of blood revenge, the villagers let Imeda and Mzekala out of the village but someone who wants Imeda’s blood finds it out and follows them.

How are these scores produced? →