The film adheres to traditional heteronormative structures. The narrative focuses exclusively on the nuclear family units of the Flintstones and Rubbles, with no non-cisnormative identities present.

Character dynamics reflect mid-20th-century domestic tropes. While Wilma and Betty possess agency within their domestic spheres, the film does not seek to dismantle traditional gender hierarchies.

The cast is homogeneous, as the stylized Stone Age setting abstracts the concept of race. There is a lack of intersectional depth or diverse ethnic metaphors.

The film utilizes a consumerist 'prize trip' trope and parodies European gothic traditions through caricature. It avoids critiques of Western institutional or religious structures.

Rockula and Frankenstone function as comedic tropes rather than nuanced depictions of disability. Their physical differences are used primarily for slapstick humor and genre parody.