The film adheres to a strictly heteronormative structure. It focuses on traditional marriage and romantic entanglements without any depiction of same-sex intimacy.

Female leads receive significant screen time, particularly during the Yugoslavian resistance segment. While these women exercise agency, their roles remain largely defined by romantic relationships.

The cast is predominantly white and European, reflecting a Eurocentric, high-society setting. There is a lack of non-white characters in positions of agency.

The narrative reinforces Western social structures and high-socioeconomic norms. It utilizes historical settings to explore personal drama rather than offering critiques of traditional institutions.

The primary character arcs do not include any visible or invisible disabilities. All characters are depicted as physically able-bodied.