The film lacks explicit evidence of LGBTQ+ characters or narratives. While the absurdist tone disrupts social scripts, it does not provide visible queer agency or a deliberate critique of heteronormativity.

Characters often inhabit traditional working-class archetypes. However, Forcier deconstructs stable masculinity by presenting figures in states of confusion, futility, or comedic ineptitude rather than reinforcing patriarchal hierarchies.

The cast appears largely homogeneous, reflecting the specific demographic realities of a 1970s Montreal neighborhood. There is no evidence of significant non-Anglo-Saxon or non-Francophone diversity within the ensemble.

The film excels by sidelining religious and civic order in favor of dreamlike logic. It prioritizes the outsider and the eccentric, critiquing mainstream societal norms through a working-class lens.

Character eccentricity serves the film's absurdist tone rather than providing nuanced portrayals of disability. There is no evidence that neurodivergence or physical disabilities are used as central themes of agency.