
Select Hotel
1997

Representation Score
Good
1987
Director
Mireille Dansereau
Runtime
97 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Mireille Dansereau’s drama offers a gritty, character-driven exploration of urban exclusion. It successfully deconstructs traditional social hierarchies, particularly by presenting men as unstable figures rather than reliable providers. This subversion of gendered power dynamics provides a nuanced perspective on women's ability to drive the story. However, the film lacks breadth in its representation of diverse identities. The narrative is largely confined to a homogeneous ethnic landscape and lacks visible LGBTQ+ presence. While it explores the realities of the social periphery, it does so through a narrow demographic lens. Ultimately, the film is a study of failure and survival. It finds its strength in its refusal to present middle-class stability as an aspirational ideal, opting instead for a realistic, psychological look at those living on the edges of society.
Category Breakdown
The story focuses on traditional romantic relationships and does not include any visible LGBTQ+ identities or subtext related to non-cisgender characters.
The film challenges traditional gender roles by emphasizing women's ability to act and complex roles. Gloria's dual role as a mother and stripper contrasts with the unstable and unreliable nature of the men.
The cast is predominantly white, reflecting the demographics of 1980s Montreal. The narrative focuses on socioeconomic struggles within a largely homogeneous ethnic community.
The film critiques middle-class stability by showing institutions and respectable lifestyles as failing. It emphasizes survival and personal connections over traditional social or religious morality.
A character with an untreated brain tumor introduces themes of physical vulnerability. This inclusion highlights the intersection of poverty and systemic medical neglect within underrepresented communities.
Present on Screen
Limited or Absent
Official Synopsis
The folks who populate the rundown hotel in this story have all come there from someplace which offered a modicum of hope. Gloria, who runs the place, earns most of her money as a stripper. She lives there with her two daughters and a son with an untreated brain tumor. Charlie, who is forever in and out of jail, is Gloria's sometime lover. A recent check-in is there hoping she can work up the courage to commit suicide, since her rich doctor husband ran off and left her. Another resident is Tim, who keeps company with his dog and his booze in equal measure. A schoolteacher comes by from time to time, hoping to do these people some good, but in choosing this lot to work with, she proves to be just as much of a loser as the rest of them.

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