
Order of the Daisy
1967

1959
Director
Clément Duhour
Runtime
90 minutes
Average Rating
No ratings yetSynopsis
Married against her will to the Comte de Trivelin, Paulette Dupont shares her anxieties with her childhood friend Labaule. Warned too late to prevent the ceremony from taking place, Labaule follows the couple on their honeymoon and prevents the consummation of the marriage by repeatedly intruding on the couple's privacy. Put on notice by Paulette's parents to consummate the marriage, Trivelin - who believes himself to be at fault - consults a psychiatrist. The latter advises him to visit a lady of lesser virtue: Gloria. But Gloria's clientele includes Dupont himself - Paulette's father - and Labaule!
Overall Score
Fair
Category Breakdown
LGBTQ+ Representation
The character Labaule disrupts heteronormative expectations by repeatedly intruding on the newlyweds' privacy. While Labaule's specific identity is not explicitly defined, the narrative focuses on subverting traditional domesticity.
Gender Representation
The film challenges patriarchal hierarchies by centering Paulette's anxieties and depicting the Comte de Trivelin as an inadequate figure. This subverts the trope of the dominant, competent masculine leader.
Racial & Ethnic Diversity
The story focuses on a homogeneous social stratum of French aristocracy. There is no evidence of non-white casting or the integration of diverse ethnic identities.
Religious & Cultural Diversity
The narrative critiques traditional Western institutions and Christian morality through themes of hypocrisy. It prioritizes secular, transactional social dynamics over rigid moral hierarchies.
Disability Representation
No characters are depicted with visible or invisible disabilities. A character's visit to a psychiatrist serves as a plot device rather than a focused representation of mental health.
Strengths
Areas for Improvement
AI Analysis
The film functions as a comedic deconstruction of traditional social structures, particularly the sanctity of marriage and patriarchal authority. By portraying the male lead as inadequate and the family unit as hypocritical, it moves away from rigid 1950s moralism. However, the film remains limited by its era's demographic constraints. The focus on a homogeneous French aristocratic class results in a significant lack of racial and ethnic diversity. While the film subverts gender and cultural norms, the absence of explicit queer identities and the lack of disability representation keep the overall score moderate.

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