The film lacks explicit LGBTQ+ characters or non-heteronormative narratives. It adheres to the traditional psychological dualism found in the original source material.

The narrative centers on the masculine archetype of the tortured scientist. It focuses on Dr. Jekyll's internal struggle rather than subverting traditional gender hierarchies.

The production reflects a homogeneous demographic consistent with its Eurocentric origins. There is no indication of race-bent casting or a non-white majority cast.

As a Soviet production, the film explores systemic morality and the collective versus the individual. It offers a philosophical approach to evil beyond Western frameworks.

The story explores psychological fragmentation and mental instability. However, Jekyll's condition is treated as a supernatural phenomenon rather than a lived experience of disability.