The film lacks LGBTQ+ characters or non-heteronormative identities. Romantic conflicts focus entirely on traditional heteronormative dynamics between the protagonist and her male patrons.

The film centers a female protagonist with significant intellectual and artistic agency. While she navigates a male-dominated structure with skill, her emotional dependence on men limits the subversion of patriarchal norms.

The production offers an immersive portrayal of 19th-century Awadhi culture. By prioritizing Urdu linguistic nuances and a Muslim courtesan's perspective, it avoids homogenized depictions of Indian history.

The narrative explores the complexities of the tawaif tradition and the tension between individual desire and rigid social institutions. It depicts the systemic exploitation found within aristocratic structures.

There are no visible or invisible disabilities portrayed within the primary cast or the central narrative arcs.