
Behind Every Good Man
1967

Representation Score
Good
1991
NRDirector
Michelle Parkerson
Runtime
21 minutes
Average Rating
No ratings yetNew Showbiz Analysis
This documentary provides a sophisticated exploration of how different aspects of identity intersect. By focusing on Stormé DeLarverie, the film weaves together the histories of racial integration and gender fluidity in mid-century America. The narrative effectively disrupts conventional historical narratives. It highlights how performance spaces like the Jewel Box Revue offered safe havens for those operating at the edges of social hierarchies. Ultimately, the film offers a vital perspective on how underrepresented individuals navigated systemic barriers through art and performance.
Category Breakdown
The film focuses on Stormé DeLarverie, a figure known for her gender non-conformity. It documents her involvement in the Jewel Box Revue, offering a crucial historical account of early queer performance art and drag.
Stormé DeLarverie challenges traditional gender roles through her work as a male impersonator. The narrative highlights a woman reclaiming masculine performance spaces to defy mid-century gender constraints.
The documentary emphasizes the Black theater circuit and the Jewel Box Revue. It showcases the ability to act of Black performers within America’s first integrated female impersonation show.
The film explores themes of social non-conformity and the subversion of mid-century norms. It prioritizes the lived experiences of outsiders over mainstream cultural norms.
There is no explicit evidence regarding the portrayal of physical or neurodivergent disabilities in this documentary.
Present on Screen
Limited or Absent
Official Synopsis
“It ain’t easy…being green” is the favorite expression of Stormé DeLarverie, a woman whose life flouted prescriptions of gender and race. During the 1950s and '60s she toured the black theater circuit as a mistress of ceremonies and the sole male impersonator of the legendary Jewel Box Revue, America’s first integrated female impersonation show and forerunner of La Cage aux Folles.

1967

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