
Miss Mona
1987

Representation Score
Good
2015
Director
Jorge Perugorría
Runtime
90 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Fatima, Queen of the Night is a sophisticated film that centers a non-conforming protagonist, disrupting traditional storytelling structures. By focusing on a character who navigates the world through a non-cisgender lens, the film offers a nuanced look at how gender identity interacts with social and economic pressures. The film excels at exploring the intersection of gender identity, sexual orientation, and economic survival. It moves beyond mere visibility to provide a deeper understanding of these intersections. While the film provides a strong Caribbean framework, the focus remains primarily on gender and class issues, effectively challenging traditional societal expectations.
Category Breakdown
The film focuses on Fátima, a transgender protagonist who navigates gender identity and sexual orientation. Queer intimacy is a central emotional driver, not just a peripheral element.
The narrative breaks down the gender binary through the protagonist's transition from Manuel to Fátima. It emphasizes individual ability to act and challenges traditional patriarchal roles and masculinity.
Set in Havana, the film offers a culturally specific Caribbean context. It avoids Western-centric homogeneity by emphasizing local identity and social realities.
The story deals with subjective morality by showing sex work as a means of economic survival. It avoids traditional moralizing, focusing instead on personal truth and necessity.
There is no explicit evidence regarding the portrayal of physical or neurodivergent disabilities within the narrative.
Present on Screen
Limited or Absent
Official Synopsis
Based on the short story of the same name by Miguel Barnet, in which Fatima - the Queen of the night, a young homosexual and transvestite, who is a prostitute to earn a living, and to maintain economically to the man whom he loves. While facing all the complexities arising from their decisions. Born in the provinces as Manuel García, nicknamed Manolito, to whom the Virgin of Fátima appeared as a child moves to the capital Havana where he meets and falls in love with Vaselina, who encourages him to cross-dress and start a new life in the world of entertainment and prostitution.

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