
Miss Mona
1987

Representation Score
Excellent
2005
NC-17Director
Ramón Salazar
Runtime
112 minutes
Average Rating
No ratings yetNew Showbiz Analysis
20 Centimeters is a character-driven study that successfully integrates gender identity, neurodivergence, and socio-economic exclusion. By centering a transgender protagonist, the film explores the complexities of autonomy and desire. The narrative uses Marieta's narcolepsy to disrupt standard reality, transforming a medical condition into a tool for psychological and stylistic expression. This approach gives the protagonist creative ability to act within her lived experience. While the film excels in characters who reflect more than one aspect of diversity, the lack of explicit detail regarding racial diversity keeps the score moderate. However, the film remains a sophisticated critique of the systemic barriers faced by those on the societal periphery.
Category Breakdown
The film focuses on Marieta, a transgender woman going through her medical transition. It gives her a significant role in driving the story, delving into the nuances of trans-specific intimacy and romantic desire.
Marieta’s journey challenges traditional hierarchies by emphasizing a female identity shaped through personal ability to act. The story explores unconventional femininity through her experiences as a sex worker.
Set in Madrid, the film portrays a localized urban social structure. While the setting suggests a cosmopolitan environment, there is no explicit indication of intentional multi-ethnic casting.
The narrative avoids heavy-handed moralizing about Marieta's profession. It prioritizes subjective experience and individual truth over traditional institutional or religious morality.
Marieta’s narcolepsy is a central part of her life rather than a tragic plot device. Her episodes facilitate creative dream sequences that enhance the film's aesthetic landscape.
Present on Screen
Limited or Absent
Official Synopsis
Colloquially-told story of a few days in the life of Marieta, who's saving money for the last operation in her change from man to woman. She works as a prostitute in Madrid and longs for a legitimate job. Whenever she builds up her savings, her housemate and best friend Tomás finds ways to spend, lose, or cost her those funds. She meets Raúl, whom she likes and who likes her; the trouble is he also likes that part of her she wants removed. If that's not enough, she also has narcolepsy, and when she conks out, she dreams of musical-theater numbers in which she's the singing and dancing star. Are these dreams always going to be 20 centimeters out of reach?

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