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La última luna

Name: La última luna
Director: Miguel Littín
Released: 2005
Duration: 105 min

Representation Score

6.8/10

Good

2005

Director

Miguel Littín

Runtime

105 minutes

Average Rating

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New Showbiz Analysis

Miguel Littín’s work succeeds as a piece of socially conscious cinema by centering a non-Western historical struggle. The film's strength lies in its sophisticated handling of ethnic the way different parts of someone's identity overlap and its critique of systemic oppression through the lens of the Levant's complex history. However, the film adheres to traditional character archetypes regarding gender and identity. The narrative scope is dominated by macro-level territorial conflicts, which leaves little room for diverse personal identities or the subversion of established social hierarchies. Ultimately, the film is a powerful exploration of cultural and racial complexity, even if it remains limited in its representation of gender control and LGBTQ+ perspectives.

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Category Breakdown

Does La última luna have LGBTQ+ representation?

Minimal

The film focuses on geopolitical and ethnic tensions in the early 20th-century Levant. There is no presence of LGBTQ+ identities or narratives that question the assumption that everyone is straight or cisgender.

How does La última luna portray gender?

Fair

The plot drivers are primarily male-centric, focusing on political and social tensions. Women exist within the social fabric but mostly occupy roles defined by the broader conflict rather than exercising independent control over their lives.

How racially and ethnically diverse is La última luna?

Excellent

The film excels by centering the relationship between Soliman, a Palestinian, and Jacob, a Jewish man. This disrupts monolithic portrayals of identity and provides a nuanced look at the way different parts of someone's identity overlap.

How does La última luna represent religion and culture?

Excellent

The narrative engages with the lasting effects of historical colonization and the systemic displacement of populations in 1914 Palestine. It critiques the corruption of state-driven violence and the fragility of peace.

Does La última luna include disability representation?

Limited

There is no significant evidence of characters with visible or invisible disabilities serving as central agents. The narrative focus remains on the physical and political survival of the protagonists.

Present on Screen

Provides a nuanced depiction of ethnic intersections through the friendship of Palestinian and Jewish characters.
Challenges the traditional cinematic gaze by prioritizing a non-Western, non-Anglo-Saxon perspective.
Engages deeply with post-colonial themes and the systemic forces of territorial expansion.

Limited or Absent

Lacks representation of non-assuming gender matches what was assigned at birth identities or queer-coded character development.
Women occupy roles defined by conflict rather than exercising independent control over their lives.
Provides no significant representation of characters with visible or invisible disabilities.

Official Synopsis

Palestine 1914. One morning in July, Soliman, a young Palestinian and Jacob, his Jewish friend, begin to build a house in Beit-Sajour, in the hills of Judea, with stones brought from Beit-Jala, while the apparent stillness of the place is interrupted by bursts of violence that anticipate the future days of the war.

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