You are here:

Alegre ma non troppo

Name: Alegre ma non troppo
Director: Fernando Colomo
Released: 1994
Duration: 100 min

Representation Score

5.6/10

Fair

1994

Director

Fernando Colomo

Runtime

100 minutes

Average Rating

No ratings yet

New Showbiz Analysis

Alegre ma non troppo is a character-driven study that elevates queer identity from a secondary role to a central driver of conflict. The film uses the protagonist's search for intimacy to propel the plot forward. While the film excels in exploring the tension between individual identity and traditional patriarchal institutions, it lacks significant racial or disability-based diversity. The setting remains focused on internal social and familial structures.

Watch this, not that →

Category Breakdown

Does Alegre ma non troppo have LGBTQ+ representation?

Excellent

The film centers Pablo's search for a male partner, placing queer desire at the heart of the story. This exploration goes beyond including someone from a minority group without giving them real depth to delve into the tension between identity and family acceptance.

How does Alegre ma non troppo portray gender?

Fair

The story emphasizes emotional intelligence and challenges traditional masculine roles. While male interpersonal dynamics dominate, the character Salome disrupts the established domestic rhythm.

How racially and ethnically diverse is Alegre ma non troppo?

Fair

The narrative seems to focus on a localized, relatively homogeneous social setting. There is no indication of a multi-ethnic cast or disruption of Eurocentric norms.

How does Alegre ma non troppo represent religion and culture?

Good

The film critiques patriarchal authority through the tension between Pablo and his estranged father. It challenges the idealized concept of the stable, harmonious Western nuclear family unit.

Does Alegre ma non troppo include disability representation?

Minimal

There is no visible or invisible disability portrayed that affects the narrative or character's ability to drive the story.

Present on Screen

Queer identity is a central driver of the plot rather than a peripheral element.
The film offers a nuanced critique of patriarchal authority and traditional family structures.
Challenges traditional masculine roles through a focus on emotional connection and music.

Limited or Absent

The narrative lacks significant racial or ethnic diversity.
There is no representation of disability within the character arcs.
The social setting appears relatively homogeneous and localized.

Official Synopsis

Pablo is a twenty-year-old man who wants to be a musician in order to be appreciated by his mother and find a male partner he can share his love with. He finds one, but because of his demanding behaviour, he is soon alone again. He tries to become a French horn player in the Youth Spain National Orchestra, but the examiner turns out to be his father, who's been living apart from his family and doesn't really accept Pablo's sexual trends. Once Pablo fails in his exam, he feels very depressed. When another French horn player from Valencia hasn't got a place to sleep, Pablo takes him home to his house. The next morning, however, he finds a girl named Salome inside of his bed.

How are these scores produced? →