The film lacks prominent LGBTQ+ characters or storylines. While it avoids derogatory tropes, it does not center queer identities within its primary character arcs.

Female characters possess individual agency and avoid traditional 'damsel' archetypes. However, the film focuses on personal eccentricity rather than actively subverting patriarchal structures.

The cast is predominantly white and Scottish, reflecting the specific Glasgow setting of the era. There is no intentional integration of diverse ethnic groups in primary roles.

The film offers an observational critique of working-class life and capitalism. It favors a chaotic, realistic portrayal of urban existence over idealized Western family structures.

Mental eccentricity is used as a tool for magical realism and whimsy. These traits lack agency-driven portrayal and serve primarily to enhance the film's surrealist tone.