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Titus Andronicus

Name: Titus Andronicus
Director: Jane Howell
Released: 1985
Duration: 167 min

Representation Score

7.9/10

Good

1985

Director

Jane Howell

Runtime

167 minutes

Average Rating

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New Showbiz Analysis

Jane Howell’s production uses a traditional framework to explore systemic corruption and identity. By casting diverse actors, it challenges Eurocentric norms, especially through the character of Aaron the Moor. This introduces a post-colonial tension into the Roman setting. The film emphasizes strong women's ability to drive the story, positioning women as key drivers of the political narrative. However, the depiction of disability is closely tied to violent events, focusing on resilience in adversity. The production remains focused on traditional power structures and does not include any representation of LGBTQ+ identities.

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Category Breakdown

Does Titus Andronicus have LGBTQ+ representation?

Minimal

The film does not include any non-binary or LGBTQ+ identities. It focuses on traditional power dynamics between men and women.

How does Titus Andronicus portray gender?

Good

Women play key roles in the film, using strategic intelligence to shape the story. Despite showing intense misogyny, female characters are central to the plot.

How racially and ethnically diverse is Titus Andronicus?

Excellent

The film features Black actors in significant roles, adding complexity to the racial makeup. This challenges the uniform Roman imperial identity.

How does Titus Andronicus represent religion and culture?

Good

Roman law is portrayed as corrupt, blurring the line between civilized justice and barbarian vengeance. This deconstructs Western institutional stability.

Does Titus Andronicus include disability representation?

Good

Lavinia’s loss of speech and manual dexterity highlights physical disability. Her resilience in a broken system is a central theme.

Present on Screen

Diverse casting, particularly the role of Aaron the Moor, challenges the uniform Roman imperial identity.
Strong female characters who actively shape the political narrative.
A nuanced critique of Western institutions and systemic corruption.

Limited or Absent

No representation of LGBTQ+ identities or non-traditional gender roles.
Disability is shown in the context of extreme violence, which may overshadow its portrayal as a condition of resilience.

Official Synopsis

Having subdued the Goths, warrior Titus Andronicus returns to Rome to bury his sons, with Gothic Queen Tamora and her retinue as captives. The newly-dead Roman Emperor's two sons, Saturninus and Bassianus, are competing for their father's title. According to Roman custom, Titus sacrifices Tamora's eldest son to the Gods; having the deciding vote, he also chooses Saturninus as Emperor.

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