
Spring Silkworms
1933

Representation Score
Minimal
1935
ApprovedDirector
Fei Mu, Ming-Yau Lo
Runtime
65 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Song of China operates as a traditional domestic drama centered around social mobility and the shift from urban to rural life. The narrative emphasizes familial continuity and the establishment of educational institutions over disrupting social hierarchies. Because the film adheres closely to the social structures of its time, it lacks progressive narrative interventions. The focus remains on a businessman's move to the countryside, with little room for diverse identity politics or underrepresented perspectives.
Category Breakdown
The film does not include any representation of LGBTQ+ characters or stories involving non-straight relationships.
The story focuses on a male businessman leading his family. There is limited information about the roles and ability to act of female characters.
As a 1935 Chinese production, the film centers on a non-Western perspective. However, it does not disrupt or challenge ethnic stereotypes.
The plot involves establishing a school, suggesting themes of social progress. However, it is unclear if the film critiques capitalism, religion, or Western influence.
There are no depictions of physical or neurodivergent characters within the available records of this production.
Present on Screen
Limited or Absent
Official Synopsis
A businessman moves his family from the city to the countryside to open a school.

1933

1936

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1930
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