
The Exorcism of God
2022

2015
UnratedDirector
Steven R. Monroe
Runtime
96 minutes
Average Rating
No ratings yetSynopsis
Accused of murder and confined to a mental institution, Molly Hartley falls under the possession of a powerful demonic force. As she undergoes a monstrous transformation, a defrocked priest is her only hope of salvation.
Overall Score
Minimal
Category Breakdown
LGBTQ+ Representation
The film lacks LGBTQ+ characters or narratives. Interpersonal dynamics focus on traditional familial and heteronormative archetypes without any visible non-cisnormative identities.
Gender Representation
Molly Hartley serves as a central figure but primarily functions as a vessel for supernatural forces. The narrative relies on the 'female victim' trope and emphasizes female vulnerability.
Racial & Ethnic Diversity
The cast and setting are predominantly homogeneous, reflecting a small-town Western demographic. There is no significant racial or ethnic plurality within the story.
Religious & Cultural Diversity
The story is deeply rooted in Christian iconography and religious authority. It presents a binary moral struggle where the Church acts as the essential defender against evil.
Disability Representation
Physical and mental transformations are used as supernatural plot devices rather than authentic representations of disability. These changes serve to heighten horror tension rather than explore lived experiences.
Strengths
Areas for Improvement
AI Analysis
The film adheres strictly to classical horror conventions, prioritizing religious ritual and atmospheric tension over social complexity. It operates within a traditionalist framework that reinforces established cultural norms rather than challenging them. Narratively, the film relies on archetypes of vulnerability and institutional authority. By centering the conflict on a binary struggle between religious institutions and demonic forces, it avoids engagement with intersectional identities or multiculturalism. Ultimately, the production maintains a homogeneous demographic and a narrow moral scope. It functions as a conventional genre piece that lacks the progressive themes or diverse perspectives found in contemporary cinema.

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