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Royal Opera House: Alice's Adventures in Wonderland

Royal Opera House: Alice's Adventures in Wonderland

Representation Score

3.7/10

Limited

2011

Not Rated

Director

Jonathan Haswell

Runtime

127 minutes

Average Rating

No ratings yet

New Showbiz Analysis

This balletic adaptation of Lewis Carroll’s classic emphasizes preserving the aesthetic and technical traditions of classical dance. It sticks to historical narrative structures and the surreal journey of the main character rather than addressing modern social issues. The production upholds a traditional framework, reflecting the demographic and social norms of the Victorian era and elite Western ballet companies. While Alice is a strong female lead, the physical interactions on stage follow established gender roles. Overall, the work focuses on maintaining the high art of classical dance rather than promoting diverse representation or challenging social hierarchies.

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Category Breakdown

Does Royal Opera House: Alice's Adventures in Wonderland have LGBTQ+ representation?

Minimal

The production follows traditional forms without showing non-binary or LGBTQ+ identities or relationships.

How does Royal Opera House: Alice's Adventures in Wonderland portray gender?

Fair

Alice is a key female character who drives the story. However, male dancers mainly provide physical support, which reinforces traditional gender roles in dance.

How racially and ethnically diverse is Royal Opera House: Alice's Adventures in Wonderland?

Limited

The casting reflects the demographics of elite Western ballet companies from the time. Principal roles don't show much variety in terms of race and ethnicity.

How does Royal Opera House: Alice's Adventures in Wonderland represent religion and culture?

Limited

The ballet highlights Victorian-inspired whimsy and the technical traditions of the Royal Opera House. It doesn’t question Western institutions or social norms.

Does Royal Opera House: Alice's Adventures in Wonderland include disability representation?

Minimal

Characters are portrayed as typical fantasy figures. The story does not include any disabilities, neurodivergence, or physical impairments.

Present on Screen

  • Alice is a central female character who drives the narrative.
  • The production preserves the high quality of classical dance aesthetics and choreography.

Limited or Absent

  • Principal roles lack diversity in terms of race and ethnicity.
  • Physical interactions on stage reinforce traditional gender roles.
  • The story does not represent disabilities or neurodivergence.

Official Synopsis

A full-length ballet created by choreographer Christopher Wheeldon for the Royal Ballet at the Royal Opera House, Covent Garden. The ballet is based on Lewis Carroll's famous story of Alice, an ordinary girl who one summer afternoon falls down a rabbit hole and finds herself on an extraordinary adventure. The music is by Joby Talbot, with designs by the internationally acclaimed Bob Crowley. Alice is danced by the Royal Ballet's Lauren Cuthbertson, and actor Simon Russell-Beale plays the cameo role of the Duchess.

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