
The Order of Things
2017

2021
Director
Andrea Segre
Runtime
100 minutes
Average Rating
No ratings yetSynopsis
Two brothers are in conflict over the way the Venetian lagoon has been transformed, and the identity of the city and its residents has drastically changed.
Overall Score
Good
Category Breakdown
LGBTQ+ Representation
The film provides no verified evidence of LGBTQ+ characters or non-heteronormative narratives. Without specific details, no representation can be confirmed.
Gender Representation
The story centers on fraternal conflict, which prioritizes male dynamics. While it hints at shifting social hierarchies, there is little evidence of female agency.
Racial & Ethnic Diversity
The narrative explores the changing identity of Venice, implying a focus on multiculturalism. This suggests the inclusion of migrant communities and diverse ethnic backgrounds.
Religious & Cultural Diversity
The film examines the tension between traditional heritage and modern globalization. It deconstructs singular viewpoints to explore a more complex understanding of identity.
Disability Representation
There is no verifiable information regarding the inclusion of characters with physical or neurodivergent disabilities in this production.
Strengths
Areas for Improvement
AI Analysis
Welcome Venice uses a personal conflict between two brothers to mirror the systemic transformation of the Venetian lagoon. The film appears to move beyond simple binaries, instead exploring how globalization and migration reshape historic urban landscapes. The narrative's strength lies in its thematic engagement with multiculturalism and the erosion of traditional community structures. It positions the city's changing identity as a central driver of the drama. However, the focus on male-centric fraternal tension limits the visible scope of gender diversity. The lack of specific data on LGBTQ+ or disability representation leaves significant gaps in the film's inclusive profile.

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