The film lacks explicit confirmation of queer themes or non-cisnormative identities. The narrative focuses on a documentary crew investigating a murder, leaving the presence of same-sex intimacy unverified.

The casting of Tilda Swinton suggests a disruption of traditional gender archetypes. With prominent female leads like Sacchi and Hunziker, the film moves away from standard male-centric crime tropes.

The cast is primarily composed of European actors, leaning toward a Eurocentric perspective. While Jhelisa provides some ethnic variety, the film lacks significant racial blending.

Using a mockumentary style, the film critiques the concept of objective truth. This approach challenges the authority of Western media and legal institutions through a subjective lens.

There is no evidence of characters with visible or invisible disabilities. The story centers on the psychological tensions of the filmmaking process instead.