The film follows a strictly heteronormative framework. No queer subtext or non-cisnormative identities appear within the primary character arcs.

Eliza Doolittle disrupts traditional hierarchies by gaining significant autonomy. She transitions from a passive subject to a woman who asserts her own intellect and moral superiority.

The cast is predominantly white and Anglo-Saxon, reflecting the demographic homogeneity of Edwardian London. The story focuses on class distinctions rather than ethnic diversity.

The narrative critiques rigid social hierarchies and the performative nature of the aristocracy. It portrays upper-class institutions as superficial and intellectually hollow.

There are no prominent depictions of visible or invisible disabilities. Characters with disabilities are not utilized as plot devices.