The film contains no depictions of same-sex intimacy or non-cisnormative identities. It adheres strictly to the heteronormative social conventions of the early 20th century.

Joan assumes military command, a role traditionally reserved for men, providing significant female agency. However, her authority is framed through divine destiny rather than secular empowerment.

The cast is predominantly white and Anglo-European, reflecting the historical setting and 1916 production standards. There is no evidence of non-white characters in primary roles.

The narrative critiques systemic corruption by positioning ecclesiastical and political authorities as antagonists. However, heavy emphasis on religious martyrdom limits its secular complexity.

There are no visible or invisible disabilities portrayed with agency. No characters utilize disability as a narrative device.