
Women and Men: Stories of Seduction
1990

Representation Score
Fair
1985
Director
Peter Barber-Fleming
Runtime
80 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Coming Through is a character-driven period drama that emphasizes psychological depth over broad diversity. It excels in showcasing women as active intellectuals rather than passive figures. However, the film's historical setting limits its diversity, focusing mainly on a homogeneous British academic class. The absence of racial and LGBTQ+ representation affects its overall inclusivity. Ultimately, the film challenges conventional social norms through its exploration of unconventional literary themes and human connections.
Category Breakdown
The story focuses on heterosexual relationships and academic pursuits. There are no LGBTQ+ characters or non-binary identities represented.
The film highlights women's intellectual roles through Kate's academic work and Frieda's emotional and social influence.
Set in a predominantly white academic environment, the film lacks diverse representation and does not include non-white perspectives.
The story delves into subjective morality and questions social hierarchies, emphasizing personal truths over strict codes.
There are no characters with physical, sensory, or neurodivergent disabilities mentioned in the film.
Present on Screen
Limited or Absent
Official Synopsis
While researching the work of author D.H. Lawrence (Kenneth Branagh), Kate (Alison Steadman) begins a romance with a fellow academic, and learns about Lawrence's love affair with the married aristocrat Frieda Von Richthofen (Helen Mirren) in this made-for-television drama. As Lawrence and Von Richthofen fall deeper into their forbidden relationship, Kate grows more familiar with Lawrence's work, such as the sensuous Lady Chatterly's Lover.

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