
Yes: Live at Montreux 2003
2007

Representation Score
Minimal
2015
Runtime
115 minutes
Average Rating
No ratings yetNew Showbiz Analysis
This concert film primarily serves as a musical archive for progressive rock enthusiasts, focusing on preserving the technical skill and legacy of the band over 25 years. Due to its live performance format, it lacks the narrative complexity necessary to explore multi-layered themes. Instead, it emphasizes the interaction between the musicians and their audience, adhering to traditional Western musical norms.
Category Breakdown
The film focuses on documenting the performances of a rock band without exploring any queer character development or non-binary gender identities.
The visual composition highlights the male band members and a predominantly male audience, without challenging traditional gender roles.
The film reflects a homogeneous audience typical of Western progressive rock concerts. There is no evidence of diverse casting or intentional race-bending.
The film honors the legacy of a specific musical institution but does not include elements of moral relativism or systemic critique. It focuses on showcasing professional mastery.
The film does not feature any visible or intentional representation of neurodivergence or physical disabilities among performers or audience members.
Present on Screen
Limited or Absent
Official Synopsis
Recorded on November 7th 2012 at the Regency Ballroom in San Francisco, this new ASIA live CD / DVD and Blu Ray captures once again the band, in the original line-up, in front of an ecstatic audience during one of the shows that ASIA performed in support of the "XXX" album and which was broadcasted by AXS TV in the USA. With HD recording this new live album is truly a rewarding experience for all ASIA fans. After the recent DVD releases, this is Asia performing one of the very last shows featuring the original line up with: Geoff Downes, Steve Howe, Carl Palmer and John Wetton live on the road, in-your face and for your viewing pleasure. The reunion came to celebrate the 25th anniversary of the band, but morphed itself into an ongoing endeavour.

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