
Yes: Live at Montreux 2003
2007

Representation Score
Limited
2018
Director
Blue Leach
Runtime
119 minutes
Average Rating
No ratings yetNew Showbiz Analysis
This concert film documents Yes's 50th Anniversary Tour. Since it is a live musical recording, the content is determined by the setlist rather than character-driven narratives. Consequently, the film lacks the structure needed to explore overlapping identities or social commentary. It primarily celebrates a specific musical tradition rather than serving as a platform for social discourse. The production emphasizes the professional execution of progressive rock music over the representation of diverse social groups.
Category Breakdown
The film focuses solely on the musical performances of the band members. There are no characters or narratives related to LGBTQ+ identities.
The cast is mainly male, reflecting the traditional makeup of the band. The film does not challenge conventional gender roles.
The performers are from a similar demographic, typical of the progressive rock genre. There is no effort to diversify Anglo-Saxon representation.
The film centers on preserving the musical legacy. It does not address anti-Western or secularist viewpoints.
The focus is on the technical skills of the musicians. There is no representation of disabilities, either visible or invisible.
Present on Screen
Limited or Absent
Official Synopsis
In 2016, Jon Anderson, Trevor Rabin and Rick Wakeman brought together their incredible talents and long experience of working in Yes to take to the road for a series of concerts celebrating Yes’ musical legacy of the seventies, eighties and nineties. On their 50th Anniversary Tour, this performance was captured on March 25th 2017 at the O2 Apollo in Manchester, England

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