
97% Owned
2012

2017
TV-PGDirector
Michael Oswald
Runtime
78 minutes
Average Rating
No ratings yetSynopsis
At the demise of empire, City of London financial interests created a web of offshore secrecy jurisdictions that captured wealth from across the globe and hid it behind obscure financial structures in a web of offshore islands. Today, up to half of global offshore wealth may be hidden in British offshore jurisdictions and Britain and its offshore jurisdictions are the largest global players in the world of international finance. How did this come about, and what impact does it have on the world today? This is what the Spider's Web sets out to investigate.
Overall Score
Good
Category Breakdown
LGBTQ+ Representation
The documentary focuses on macro-economic and geopolitical structures. There are no discernible LGBTQ+ character arcs or identities present in this investigation.
Gender Representation
The film focuses on institutional and structural agency rather than traditional patriarchal leadership narratives. Specific data regarding gender-based agency remains limited.
Racial & Ethnic Diversity
The film centers perspectives from former colonial territories in Africa, Asia, and the Caribbean. It prioritizes the economic realities of the Global South over Eurocentric viewpoints.
Religious & Cultural Diversity
The narrative utilizes a post-colonial framework to critique Western financial institutions. It portrays the legacy of the British Empire as an extractive and corruptive force.
Disability Representation
There is no specific evidence regarding the representation of neurodivergence or physical disabilities within this economic investigation.
Strengths
Areas for Improvement
AI Analysis
The documentary excels by applying a post-colonial lens to modern global finance. It successfully reframes offshore secrecy jurisdictions as a sophisticated continuation of imperialist hegemony rather than neutral trade evolution. By prioritizing voices from the Global South, the film disrupts Western-centric documentary tropes. It highlights how colonial resource extraction and modern financial structures create systemic socioeconomic disparities. However, the film lacks engagement with traditional identity-based narratives. It does not feature specific arcs related to LGBTQ+ identities, gender-specific agency, or disability representation.

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