
My Name Is Kozha
1963

Representation Score
Minimal
1964
Director
Viktor Eisymont
Runtime
67 minutes
Average Rating
No ratings yetNew Showbiz Analysis
This 1964 Soviet adventure-comedy is a product of its historical era, prioritizing educational storytelling and communal values. The narrative structure focuses on a child protagonist navigating traditional developmental milestones. The film reinforces mid-century social norms rather than exploring diverse identities. It lacks the intentionality required to disrupt established hierarchies, serving instead to support social cohesion and state-sanctioned social realism. As a result, the representation is limited to the demographic and social standards of the 1960s Soviet film industry.
Category Breakdown
The film adheres to the assumption that everyone is straight or cisgender. There is no indication of LGBTQ+ identities or queer narratives within this 1964 Soviet comedy.
The film likely centers on traditional gender roles and maternal figures. It appears to reinforce stable, domestic structures rather than challenging established hierarchies.
The cast is probably ethnically homogeneous and Slavic-centric. The production lacks intentional multi-ethnic casting or diverse representation common in modern cinema.
The narrative emphasizes traditional Soviet values like community and respect for elders. It functions as a vehicle for social cohesion and collective morality.
There is no mention of characters with visible or invisible disabilities. No specific data is available to assess this category.
Present on Screen
Limited or Absent
Official Synopsis
An adventures of a young boy after taking a wrong turn on his road to home...

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