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Crony

Crony

2017

TV-MA

Director

Abhilash Shetty

Runtime

6 minutes

Average Rating

No ratings yet

Synopsis

Aarav decides to remove his deceased friend Ricky from his social media list. However, soon after, a series of strange events begin to occur.

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Diversity & Representation

Overall Score

3.0/10

Limited

Category Breakdown

LGBTQ+ Representation

Minimal

The film contains no evidence of LGBTQ+ characters or non-cisnormative identities. There is no visible critique of heteronormativity within the narrative.

Gender Representation

Fair

The story centers on the relationship between two male figures, Aarav and Ricky. There is no information regarding female characters or the subversion of gender hierarchies.

Racial & Ethnic Diversity

Fair

Names like Aarav and Ricky suggest a South Asian context. However, the film's broader ethnic diversity and casting choices remain unconfirmed.

Religious & Cultural Diversity

Fair

The plot explores modern digital mourning and social media etiquette. It does not explicitly engage with religious morality or institutional critiques.

Disability Representation

Minimal

The synopsis lacks any mention of physical disability, neurodivergence, or mental health conditions as central character traits.

Strengths

  • The premise offers a unique look at modern digital sociology and the etiquette of social media mourning.

Areas for Improvement

  • The film lacks visible representation of LGBTQ+ identities, female agency, or characters with disabilities.
  • The narrative scope appears limited to a specific male-centric relationship, missing opportunities for broader intersectional exploration.

AI Analysis

Crony is a localized psychological horror-thriller that focuses on the digital afterlife and the social implications of grief. The narrative tension stems from the act of unfriending a deceased individual, centering the conflict on individual psychological experiences. Because the story is driven by the relationship between two male characters, it lacks a broad spectrum of identity-based representation. There is no evidence of intentional intersectional storytelling or the disruption of traditional social hierarchies. Ultimately, the film occupies a neutral space. It prioritizes modern digital sociology over systemic critiques or diverse character exploration.

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