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2019
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Diversity score: 3.4 out of 10
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Alexia
2013
Director
Andrés Borghi
Runtime
9 minutes
Average Rating
No ratings yetSynopsis
Although Alexia, Franco's ex-girlfriend, has been deceased for some time, Franco still has her as a contact on his social network. When he decides to delete her and move on, something strange starts to manifest through his computer.
Where to Watch
Diversity & Representation
Overall Score
2.9/10
Limited
Category Breakdown
LGBTQ+ Representation
The story centers on a heterosexual romantic history between Franco and his deceased ex-girlfriend. No non-cisnormative identities are present.
Gender Representation
Alexia serves as a central female figure, though her role is defined by her status as a deceased entity. The film does not explicitly subvert traditional gender hierarchies.
Racial & Ethnic Diversity
The available information provides no details regarding the racial or ethnic composition of the cast. No evidence of diverse casting can be verified.
Religious & Cultural Diversity
The film explores themes of digital haunting and memory. It lacks explicit frameworks such as anti-capitalist or secularist perspectives to bolster its cultural depth.
Disability Representation
There is no mention of neurodivergence, physical disability, or mental health conditions. These elements do not serve as central narrative drivers.
Strengths
- The narrative explores the psychological intersection of grief and digital technology.
- The central female figure provides a focal point for the supernatural horror elements.
Areas for Improvement
- The film lacks representation of LGBTQ+ identities or non-cisnormative perspectives.
- There is no visible inclusion of racial, ethnic, or disability-related narratives.
- The story does not engage with broader cultural or anti-establishment frameworks.
AI Analysis
Alexia operates as a conventional horror thriller focused on the intersection of grief and technology. The narrative follows a standard trajectory of personal haunting rather than attempting to deconstruct social or systemic hierarchies. The film lacks visible intersectional representation. Because the plot centers on a specific, singular romantic history, it does not provide space for a broader spectrum of identities or social critiques. Ultimately, the work functions as a genre piece that prioritizes psychological tension over the disruption of traditional social norms.
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