Le bon, la brute et les zombies
2004

Representation Score
Limited
2007
RDirector
Glasgow Phillips
Runtime
91 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Undead or Alive: A Zombedy combines horror and Western genres to explore themes of systemic corruption and social exclusion. By focusing on misfits who rob a corrupt sheriff, the film challenges traditional Western justice narratives. The film shows promise in its subversion of gender and racial hierarchies. It positions a female character as the central agent of survival and introduces an Indigenous presence. However, it lacks representation for LGBTQ+ identities and provides no information regarding disability.
Category Breakdown
The film does not include any characters with non-straight relationships or stories involving LGBTQ+ individuals.
The movie breaks down traditional gender roles by making a female character the main hope for survival. This shifts the focus from male characters to a female lead.
The film includes a character connected to Geronimo, introducing an Indigenous presence in a Western setting. This departs from typical Anglo-centric representations.
The story criticizes traditional Western power structures by portraying the sheriff as corrupt. It highlights misfits challenging established social orders and institutions.
There is no depiction of physical, neurodivergent, or mental health conditions in the film.
Present on Screen
Limited or Absent
Official Synopsis
Elmer Winslow is a soldier on the run from the Union Army, and Luke Budd is a cowboy with a broken heart. When the two misfits rob the corrupt sheriff of an old west town, they have no idea that a plague of zombies is sweeping the country, or that Geronimo's sexy niece may be their only hope of survival.
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