You are here:

Come Closer, Folks

Name: Come Closer, Folks
Director: D. Ross Lederman
Released: 1936
Duration: 61 min

Representation Score

1.6/10

Minimal

1936

Passed

Director

D. Ross Lederman

Runtime

61 minutes

Average Rating

No ratings yet

New Showbiz Analysis

Come Closer, Folks is a typical 1930s genre piece that relies heavily on established social hierarchies and romantic clichés. The narrative focuses on a fast-talking pitchman's rise from street conman to department store executive, a journey that prioritizes commercial archetypes over social subversion. While the film offers some character's ability to drive the story through its female leads, it ultimately adheres to the era's conventional expectations. The story lacks the complexity needed to challenge the status quo regarding identity or social structures. Overall, the film functions as a product of its time, mirroring the era's lack of racial diversity and its adherence to traditional romantic resolutions.

Watch this, not that →

Category Breakdown

Does Come Closer, Folks have LGBTQ+ representation?

Minimal

The film follows a traditional romantic storyline between the main character and Peggy. It does not include any characters with non-binary gender identities or challenge the assumption that everyone is straight or cisgender.

How does Come Closer, Folks portray gender?

Fair

The plot uses a classic 'battle of the sexes' cliché. Female characters such as Mae and Peggy take active roles, but the overall structure upholds traditional romantic archetypes.

How racially and ethnically diverse is Come Closer, Folks?

Minimal

The story likely centers around a predominantly white cast, reflecting the lack of racial integration typical in mainstream 1930s cinema.

How does Come Closer, Folks represent religion and culture?

Limited

Themes of capitalism and social mobility are central to the story. Success is framed through traditional Western institutions like the corporate department store.

Does Come Closer, Folks include disability representation?

Minimal

The story contains no characters with visible or invisible disabilities.

Present on Screen

Female characters like Mae and Peggy demonstrate ability to act by actively engaging with the protagonist.
The film explores themes of social mobility and the transition from street-level conmanship to corporate life.

Limited or Absent

The narrative relies on traditional romantic clichés rather than challenging gendered power dynamics.
The film lacks racial diversity, reflecting the homogeneous casting standards of 1936.
The story reinforces existing social hierarchies instead of offering a critique of capitalism.

Official Synopsis

A fast-talking pitchman working the con-games on the streets, works himself up into an executive position of a large department store, with the aide of his shill, Mae. But the owner, Elmer Woods, of the department store has a blonde-beauty daughter, Peggy, who goes to work on him.

How are these scores produced? →