
The Man Who Wagged His Tail
1957

Representation Score
Limited
1974
Director
Eldar Shengelaia
Runtime
79 minutes
Average Rating
No ratings yetNew Showbiz Analysis
The Eccentrics is a surrealist comedy that finds its strength in challenging institutional logic and Western narrative norms. By using a fantasy framework, the film critiques rigid bureaucracy through absurdism, such as sentencing an animal to prison time. However, the film lacks explicit representation of multiple aspects of diversity. The narrative remains centered on a traditional heterosexual pairing, and there is no evidence of diverse gender identities or disability representation within the story.
Category Breakdown
The film centers on a heterosexual relationship between Ertaoz and Margalita. There are no visible depictions of LGBTQ+ identities or non-assuming gender matches what was assigned at birth characters.
Margalita plays a key role in initiating the main conflict, showing she has significant control over the plot. She is not a passive character due to her involvement in the inciting incident.
This Georgian production provides a non-Western perspective outside of Hollywood dominance. It reflects the specific ethnic landscape of the Soviet Georgian era.
The film criticizes bureaucracy through absurd legal sentences and emphasizes humanistic values over mechanical logic. The central invention operates on love rather than fuel.
There is no information available regarding the depiction of physical or neurodivergent disabilities in this work.
Present on Screen
Limited or Absent
Official Synopsis
Ertaoz travels to the city with the intent to sell a chicken and pay off his father's debts. Upon arrival, he falls for the beautiful Margalita and decides to help her dispose of her ex-lover's body. However, at the cemetery, the lover–a policeman–unexpectedly regains consciousness and arrests Ertaoz and the chicken. Ertaoz is sentenced to ten years, while the bird receives seven. In prison, they meet an inventor who has built a flying machine that runs not on fuel but the power of love.

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