The film lacks any visible presence of non-cisnormative gender identities or same-sex intimacy. It adheres strictly to the heteronormative social structures of 15th-century England.

The narrative focuses heavily on male-dominated combat and outlaw dynamics. Female characters occupy secondary, traditional roles that reinforce period hierarchies rather than subverting them.

The cast is predominantly homogeneous, reflecting the historical constraints of the Wars of the Roses. There is no evidence of race-bent casting or non-Anglo-Saxon characters.

The story disrupts authority by framing protagonists as outlaws fighting against the nobility. This presents a critique of the existing class hierarchy and feudal framework.

There is no discernible evidence of characters with visible or invisible disabilities being portrayed with agency. Disability is not used as a central narrative element.