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Complexes

Complexes

Representation Score

4.0/10

Fair

1965

Director

Franco Rossi, Luigi Filippo D'Amico, Dino Risi

Runtime

102 minutes

Average Rating

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New Showbiz Analysis

Complexes employs the satirical style of Commedia all'italiana to critique mid-century Italian social norms. By featuring a police raid subplot, the film addresses LGBTQ+ themes and disrupts the straight-centered expectations of its era. The film also critiques institutional corruption through a story about a qualified individual being unfairly sidelined from a position of influence. This provides a sharp critique of systemic unfairness. However, the film's gender representation remains tied to traditional romantic clichés, and there is no visible evidence of racial or ethnic diversity in the provided narrative.

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Category Breakdown

Does Complexes have LGBTQ+ representation?

Good

The film includes a subplot about a police raid on a gay bar, bringing attention to LGBTQ+ identities in the context of the mid-1960s.

How does Complexes portray gender?

Fair

Gender dynamics revolve around traditional romantic pursuits, such as a character trying to win over a female coworker. The film likely uses satire to comment on the social pressures of the time.

How racially and ethnically diverse is Complexes?

Minimal

There is no explicit indication of racial or ethnic diversity in the narrative. The story focuses on domestic social hierarchies and personal relationships.

How does Complexes represent religion and culture?

Good

The film criticizes systemic corruption and the lack of fairness in established institutions. It uses satire to highlight the flaws in social power structures.

Does Complexes include disability representation?

Minimal

The narrative does not include any portrayal of physical or neurodivergent disabilities.

Present on Screen

  • Addresses LGBTQ+ identities and the realities of underrepresented groups during the 1960s
  • Provides a sharp, satirical critique of institutional corruption and the failure of meritocracy
  • Uses subversive comedy to engage with complex social hierarchies

Limited or Absent

  • Gender dynamics are limited to traditional romantic pursuits and conquest
  • Lacks explicit representation of racial or ethnic diversity
  • Does not address physical or neurodivergent disabilities

Official Synopsis

In the first episode, Quirino tries to conquer co-worker Gabriella. In the second episode, Prof. Beozi ends up in a raid of the police in a local for homosexuals when trying to avoid a scandal. In the third episode, Guglielmo passes all tests in order to become reader of the television news brilliantly, although the commission works with all subtleness's to exclude him.

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