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...Remote..... Remote....

Name: ...Remote..... Remote....
Director: Valie Export
Released: 1973
Duration: 10 min

Representation Score

5.8/10

Fair

1973

Director

Valie Export

Runtime

10 minutes

Average Rating

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New Showbiz Analysis

Valie Export’s experimental work is a powerful subversion of gendered power dynamics. By centering a female subject's active role, it challenges the traditional male gaze and the objectification of women in media. However, the film's impact is limited by its narrow demographic focus. The focus on a single white protagonist results in a lack of racial and LGBTQ+ representation, preventing a broader multi-layered dialogue. Ultimately, the film excels as a critique of Western media consumption but remains a highly individualized psychological study rather than a diverse sociological exploration.

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Category Breakdown

Does ...Remote..... Remote.... have LGBTQ+ representation?

Minimal

The film does not include any explicit LGBTQ+ characters or narratives. It centers on a single female character and her relationship with technology rather than exploring queer identity issues.

How does ...Remote..... Remote.... portray gender?

Excellent

The film disrupts traditional views of femininity by emphasizing the female body's active role. It challenges the male gaze by reclaiming the female form from passive consumption.

How racially and ethnically diverse is ...Remote..... Remote....?

Minimal

The film features a single white female protagonist in a domestic setting. It lacks racial diversity, multi-layered casting, or any exploration of multi-ethnic identities.

How does ...Remote..... Remote.... represent religion and culture?

Good

The work offers a sophisticated critique of Western consumerism and capitalist media. It frames technology and the remote control as tools of alienation and systemic fragmentation.

Does ...Remote..... Remote.... include disability representation?

Fair

There are no characters with recognized disabilities. However, the film explores psychological distress and trauma through symbolic, avant-garde depictions of self-mutilation.

Present on Screen

Challenges traditional gender hierarchies and the male gaze.
Provides a profound critique of Western consumerist culture and media alienation.
Uses the body as a site of intense, reclaimed ability to act.

Limited or Absent

Lacks racial and ethnic diversity in its casting and setting.
Does not engage with LGBTQ+ identities or non-straight relationships.
Focuses on a singular subject, limiting multi-layered breadth.

Official Synopsis

With sometimes painful directness, Valie Export conducts a psychological investigation of the body in this film performance, externalizes an internal state. In front of a police photo showing two children who were sexually abused by their parents, she tortuously cuts into her cuticles until blood drips into a bowl of milk on her lap. On top of the symbolic plane of blood and milk, the physical effect on the viewer of her destructive act of self-mutilation is extreme.

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