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The War Between Men and Women

Name: The War Between Men and Women
Director: Melville Shavelson
Released: 1972
Duration: 105 min

Representation Score

3.0/10

Limited

1972

Director

Melville Shavelson

Runtime

105 minutes

Average Rating

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New Showbiz Analysis

This film operates as a typical domestic comedy from the early 1970s, reinforcing rather than challenging social hierarchies. The narrative structure relies on the tension between traditionalist viewpoints and emerging social changes, but it prioritizes conventional romantic resolutions over dismantling broader power structures. While the female lead offers some intellectual resistance to the protagonist's anti-feminist views, the film remains tied to traditional storytelling methods that favor established domestic norms over progressive social disruptions.

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Category Breakdown

Does The War Between Men and Women have LGBTQ+ representation?

Minimal

The story focuses on a heterosexual relationship conflict. There are no representations of non-binary gender identities or critiques of the assumption that everyone is straight or cisgender.

How does The War Between Men and Women portray gender?

Limited

The film explores gender through skepticism towards feminist ideas. The female lead challenges the protagonist intellectually, but the conflict centers around his opposition to feminism.

How racially and ethnically diverse is The War Between Men and Women?

Limited

The plot depicts a typical mid-century domestic setting. There is no indication of intentional racial diversity or breaking away from Anglo-centric casting norms.

How does The War Between Men and Women represent religion and culture?

Limited

The story unfolds within traditional Western social structures. It focuses on integrating a single mother into a domestic scenario without critiquing Western institutions.

Does The War Between Men and Women include disability representation?

Limited

The protagonist's near-sightedness is mentioned as a character trait. However, it lacks depth and is used as a standard comedic device rather than a meaningful exploration of disability.

Present on Screen

The female lead challenges the protagonist's anti-feminist views with intellectual arguments.

Limited or Absent

The film lacks representation of LGBTQ+ identities or perspectives outside the assumption that everyone is straight or cisgender.
The narrative reinforces traditional social hierarchies instead of challenging them.
Disability is used as a shallow comedic device rather than a meaningful exploration.
There is no indication of racial or ethnic diversity within the domestic setting.

Official Synopsis

A sarcastic near-sighted cartoonist, averse to commitment, falls for a single mother of three — the only woman who can stand his strong anti-feminist opinions.

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