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Trigger, Jr.

Name: Trigger, Jr.
Director: William Witney
Released: 1950
Duration: 68 min

Representation Score

3.4/10

Limited

1950

Approved

Director

William Witney

Runtime

68 minutes

Average Rating

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New Showbiz Analysis

Trigger, Jr. is a typical 1950s B-Western that emphasizes genre clichés over social complexity. The narrative structure revolves around established masculine archetypes and a straightforward moral conflict between heroes and villains. While the film offers a small amount of psychological depth through a character's fear, it remains firmly rooted in the traditional cinematic conventions of its time, reinforcing the status quo without disrupting social hierarchies.

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Category Breakdown

Does Trigger, Jr. have LGBTQ+ representation?

Minimal

The film follows the typical social structures of the 1950s and does not include any LGBTQ+ characters or narratives that question traditional norms.

How does Trigger, Jr. portray gender?

Limited

The story centers on traditional masculine figures like Roy and Grant Withers, reinforcing conventional masculine leadership without showing non-traditional gender roles.

How racially and ethnically diverse is Trigger, Jr.?

Limited

The narrative stays within a traditional Anglo-centric framework common to the era, with no evidence of non-white protagonists or diverse casting.

How does Trigger, Jr. represent religion and culture?

Limited

The story uses a classic Western moral framework focused on frontier justice, reinforcing traditional views of justice and property ownership.

Does Trigger, Jr. include disability representation?

Fair

Peter Miles provides a minor depiction of psychological struggle through his fear of horses. This arc serves the plot more than it delves into nuanced neurodivergence.

Present on Screen

The film briefly explores overcoming psychological adversity through Peter Miles' character.
It provides a clear, traditional moral framework centered on justice and heroism.

Limited or Absent

The narrative lacks racial diversity, staying within a standard Anglo-centric framework.
Gender roles are limited to traditional masculine archetypes and conventional leadership.
There is no representation of LGBTQ+ identities or critiques of traditional gender norms.

Official Synopsis

Evil Grant Withers lets a killer horse loose to ruin valuable horses on nearby ranches. He hopes to shake down the ranchers for his "protection". Roy tracks down the bad guys, but is suddenly trapped by them. Peter Miles, a boy terrified of horses, overcomes his fear and rides for help to save the day.

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