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The Buddies

Name: The Buddies
Director: Yves Robert
Released: 1965
Duration: 91 min

Representation Score

1.5/10

Minimal

1965

Director

Yves Robert

Runtime

91 minutes

Average Rating

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New Showbiz Analysis

The film functions as a pastoral comedy centered on juvenile mischief and the disruption of social order. While it uses subversion as a comedic engine, these acts are framed as playful rebellion rather than a structured critique of oppression. The diversity profile remains limited due to a lack of multi-layered breadth, focusing more on localized social disruption than progressive representation.

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Category Breakdown

Does The Buddies have LGBTQ+ representation?

Minimal

The film does not depict any LGBTQ+ identities or queer narratives. It focuses solely on the heterosexual relationships and gender norms of mid-century rural France.

How does The Buddies portray gender?

Limited

The story centers around a male-dominated peer group, lacking women's ability to drive the story and challenging traditional gender roles.

How racially and ethnically diverse is The Buddies?

Limited

Reflecting the historical context of 1960s rural France, the cast is ethnically uniform. There is no evidence of intentional casting diversity or non-white characters.

How does The Buddies represent religion and culture?

Good

The film earns points for its narrative focus on disrupting traditional Western institutions. Protagonists mock and disrupt religious and civic authority.

Does The Buddies include disability representation?

Minimal

There are no visible or invisible disabilities portrayed in the narrative. No characters have arcs defined by physical or neurodivergent experiences.

Present on Screen

The film uses mischief to challenge the sanctity of religious dogma and state-sanctioned historical commemorations.

Limited or Absent

The narrative lacks women's ability to drive the story and relies on an exclusively masculine social space.
The cast is ethnically uniform, lacking racial or ethnic diversity.
There is no representation of LGBTQ+ identities or characters with disabilities.

Official Synopsis

Seven old pals live inseparable lives, dividing their time between hilarious pranks and memorable drinking bouts. Bénin is the mastermind, Broudier the enforcer and Lesueur the prankster. One evening, a grandiose plan was hatched: to wreak havoc in two peaceful sub-prefectures: Ambert and Issoire. Broudier begins: in the middle of the night, disguised as a minister, he wakes up a barracks in Ambert and sets in motion a thunderous maneuver. The next day, disguised as a Dominican, Bénin climbed to the pulpit of the cathedral and delivered a sermon insulting Christian doctrine. The same day, in Issoire, the local authorities were preparing to unveil a statue of Vercingetorix. But the statue came to life, pelting the crowd with tomatoes: it was Lesueur. With their minds at rest, the friends headed off to the Côte-d'Or for a vacation. But already, one of them begins to perform a new prank.

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