The film follows a heteronormative pursuit across different eras. There are no depictions of non-cisnormative identities or narratives engaging with queer themes.

Claire displays agency within her 1970s setting, creating a comedic clash with Wells's Victorian sensibilities. However, the story remains centered on the male protagonist's scientific agency.

Casting and settings reflect the demographic norms of the late 1970s and the early 1900s. The narrative maintains a relatively homogeneous focus on the central characters.

The plot uses anachronism to bridge two eras but avoids critiquing Western institutions or religious structures. Conflict is driven by individual justice rather than systemic critique.

There are no prominent portrayals of physical or neurodivergent disabilities that serve as central character arcs or plot drivers.