
March Comes In Like a Lion
2017

2017
Director
Keishi Otomo
Runtime
139 minutes
Average Rating
No ratings yetSynopsis
The time spent between professional Shogi player Kiriyama and his three stories helps to heal his wounds. As he prepares to secure another win in an upcoming tournament, the father who left the three sisters appears and disturbs the peace.
Overall Score
Fair
Category Breakdown
LGBTQ+ Representation
The film focuses on platonic and communal bonds rather than romantic arcs. It avoids heteronormative tropes by prioritizing emotional intimacy through a surrogate family structure.
Gender Representation
The three Kawamoto sisters serve as the primary architects of the protagonist's healing. The narrative shifts agency from the male-dominated Shogi world to a female-led domestic sphere.
Racial & Ethnic Diversity
Set within the specific cultural context of Japanese Shogi, the cast remains largely homogeneous. The film reflects its setting without actively deconstructing ethnic boundaries or racial norms.
Religious & Cultural Diversity
The story critiques traditional patriarchal authority and rigid social decorum. It emphasizes found family over biological lineage, deconstructing conventional nuclear family ideals.
Disability Representation
Rei Kiriyama’s psychological wounds and social alienation are treated with agency. The film avoids 'inspiration porn,' instead showing how mental health directly impacts his professional life.
Strengths
Areas for Improvement
AI Analysis
Keishi Otomo’s drama succeeds as a sophisticated character study that subverts traditional authority. It finds its strength in elevating communal, non-traditional support systems over the isolating pressures of professional meritocracy. While the film lacks overt demographic diversity, its narrative architecture challenges the primacy of the patriarchal family. It replaces rigid social structures with a focus on subjective morality and emotional truth. The film's impact lies in its nuanced portrayal of internal landscapes, particularly regarding mental health and the domestic agency of its female characters.

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