
All Girl Revue
1940

Representation Score
Minimal
1940
ApprovedDirector
Kurt Neumann
Runtime
62 minutes
Average Rating
No ratings yetNew Showbiz Analysis
A Night at Earl Carroll's operates as a conventional 1940s studio production. While it offers some women's ability to drive the story through characters like Ramona Lisa, the film largely relies on traditional gender roles and decorative female presence. The narrative lacks complexity in representing diverse identities, focusing instead on a standard conflict between reformist politics and corruption. It reinforces the social hierarchies of its time rather than challenging them. Overall, the film reflects the era's homogeneous casting and social norms, providing little representation for racial, cultural, or LGBTQ+ identities.
Category Breakdown
The film focuses on political corruption and musical entertainment. There is no evidence of non-binary or LGBTQ+ identities or same-sex relationships, reflecting the 1940s assumption that everyone is straight.
Women play important roles, such as Ramona Lisa managing the club during a crisis. However, many female characters, like chorus and cigarette girls, mainly serve as decorative elements.
The story centers around a mainstream American nightclub and political machine. It lacks explicit mention of diverse casting, reflecting the homogeneous standards of the era.
The narrative explores political integrity through a restorative arc. It celebrates Western social hierarchies and high-society settings rather than critiquing systemic institutional structures.
The film contains no mention of characters with visible or invisible disabilities.
Present on Screen
Limited or Absent
Official Synopsis
Newly-elected reform Mayor Jones celebrates his victory over the crooked political machine with a party at Earl Carroll's night club. Steve Kalkus, the defeated racketeer-politician, has Earl Carroll and several of his acts kidnapped, figuring the kidnapping coup will cause Jones to be laughed out of office. In Carroll's absence his assistant, Ramona Lisa, and his press agent, Barney Nelson put on the show themselves with the remaining talent, the chorus girls and also pressing into the entertainment cigarette girls, cloakroom girls, the doorman and others including oil heiresses Brenda Gusher and Cobina Gusher. Carroll and the other prisoners make their escape when a kidnapped juggling act sends their captors down in a barrage of beer bottles.

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