
I Am Not Alone
2019

2010
Director
Bosse Lindquist
Runtime
58 minutes
Average Rating
No ratings yetSynopsis
In WikiRebels, we learn about the early hacker life of Julian Assange, and his later decision to form an organization where whistleblowers can anonymously pass information that documents crime and immorality. His stated goal is to expose injustice, and nothing exemplifies this more than the leaked film entitled “Collateral Murder.” WikiRebels shows other films released by WikiLeaks, and catalogs the most significant leaks since its 2006 inception, including the Iceland banking scandal, Kenya corruption and death squads, and toxic dumping in Cote D’Ivoire.
Overall Score
Good
Category Breakdown
LGBTQ+ Representation
The documentary focuses on geopolitical corruption and digital activism. It lacks explicit LGBTQ+ character arcs or narratives addressing identity-based social themes.
Gender Representation
The narrative centers on Julian Assange and the mechanics of WikiLeaks. It prioritizes male-dominated spheres of hacking and geopolitics over the subversion of gender hierarchies.
Racial & Ethnic Diversity
The film demonstrates significant global breadth by documenting injustices in the Global South. It highlights corruption in Kenya and toxic dumping in Côte d'Ivoire.
Religious & Cultural Diversity
The film critiques traditional Western institutions and state authority. It frames whistleblowing as a necessary rebellion against systemic institutional corruption and immorality.
Disability Representation
There is no discernible focus on physical or neurodivergent representation within the film's subject matter.
Strengths
Areas for Improvement
AI Analysis
WikiRebels succeeds in disrupting Western-centric documentary tropes by centering international crises. By documenting scandals in Kenya and Côte d'Ivoire, the film provides a necessary global perspective on systemic corruption. However, the film remains narrow in its social scope. The focus on hacking and high-level geopolitics results in a narrative dominated by male figures, offering little engagement with gender or LGBTQ+ identities. Ultimately, the documentary is a specialized political tool. It excels at challenging institutional power structures but lacks breadth regarding individual identity-based representation.

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