Code of the Range
1936
No user ratings available yet
Representation score: 0.6 out of 10
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To the Last Man
Representation Score
1.1/10
Minimal
1923
ApprovedDirector
Victor Fleming
Runtime
70 minutes
Average Rating
No ratings yetNew Showbiz Analysis
To the Last Man is a traditional Western drama centered around the conflict between rival ranchers and sheepherders. It adheres to the genre conventions of the early 1920s, emphasizing territorial disputes and class-based conflicts. The film follows the standard storytelling norms of early 20th-century American cinema, focusing on conventional Western themes rather than diverse representations or social disruptions. Due to its adherence to these traditional structures, the film lacks significant diversity in gender, race, or identity.
Category Breakdown
Does To the Last Man have LGBTQ+ representation?
The film does not include any known LGBTQ+ identities, which was uncommon in mainstream 1923 cinema.
How does To the Last Man portray gender?
The film likely emphasizes traditional gender roles, with men driving the main conflicts and women playing supporting or domestic roles.
How racially and ethnically diverse is To the Last Man?
The cast appears to be homogeneous, focusing on Anglo-American ranchers and sheepherders typical of 1920s Westerns.
How does To the Last Man represent religion and culture?
The storyline examines economic tensions between landowners and workers but seems to follow standard genre conventions of the time.
Does To the Last Man include disability representation?
There is no information available about characters with physical or neurodivergent disabilities.
Present on Screen
- Explores socioeconomic tension between different labor classes.
Limited or Absent
- Does not represent non-traditional gender identities.
- Reinforces traditional gender roles common to the era.
- Adheres to an Anglo-centric storytelling model with limited racial diversity.
Official Synopsis
Feuding ranchers and sheepherders.
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