
We Are Never Alone
2016

Representation Score
Good
2008
Director
Dalibor Matanić
Runtime
120 minutes
Average Rating
No ratings yetNew Showbiz Analysis
The film is a raw, realistic portrayal of social alienation in a declining rural area. It succeeds by breaking down traditional narratives and focusing on the psychological fragmentation of individuals living on the margins of society. While the film does not offer broad demographic diversity, it provides a progressive critique of institutional optimism. It uses a localized, homogeneous setting to highlight the tension between personal suffering and larger geopolitical changes like the EU referendum. Ultimately, the work prioritizes the complexities of the human condition over mainstream social norms, offering a candid look at characters who exist outside conventional social structures.
Category Breakdown
The film delves into themes of unconventional desires and the quest for connection. Although it doesn't explicitly label characters, it highlights feelings of isolation and disrupted social bonds.
The story challenges traditional feminine stereotypes through a character who struggles with loneliness and weight stigma. It focuses on personal empowerment rather than reinforcing traditional gender roles.
Set in a remote Croatian mountain village, the film emphasizes local identity and the impact of foreign influences. It does not explore internal cultural diversity.
The film questions traditional institutions by highlighting individual existential struggles over nationalistic themes. It portrays the village as an isolating environment rather than a supportive community.
The narrative touches on body image and psychological distress, exploring the emotional trauma of a young man dealing with his mother's death.
Present on Screen
Limited or Absent
Official Synopsis
A godforsaken mountain village is the only home that a young football player, a miser peasant and a fat girl have. This isolated part of the country finds itself in the middle of the referendum for or against the EU. Our characters couldn't care less - they are absorbed in their problems. The young football player who accidentally killed his mother doesn't want to join a rich foreign football team and is willing to risk his father's love because of it. The lonely fat girl is so desperate for a friend and for a lover that she will end up seeking both in the pig-sty. The miser peasant will find out that the real misery is in loneliness.

2016

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