
Jelangkung
2001

Representation Score
Limited
2003
Director
Dimas Djayadiningrat
Runtime
133 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Tusuk Jelangkung is a genre-specific exploration of Indonesian folklore that emphasizes cultural authenticity over social critique. It successfully grounds its horror narrative in local traditions, using the Jelangkung doll to create an authentically Indonesian experience. However, the film relies heavily on conventional horror clichés and lacks complexity in representing diverse identities. While it celebrates local culture, it does not challenge traditional social structures or gender roles. Ultimately, the film stands as a culturally authentic piece of genre cinema that focuses on a traditional ensemble and lacks representation for LGBTQ+ identities and disabilities.
Category Breakdown
The film centers on a heterosexual relationship between Rea and Zacky, with no representation of LGBTQ+ identities or same-sex intimacy.
The movie features a mix of male and female characters, but the female characters primarily react to supernatural events rather than driving the plot themselves.
The film showcases an Indonesian cast and draws on local traditions, making the supernatural elements feel authentic to its cultural context.
The storyline is deeply rooted in local spiritual beliefs and indigenous folklore, emphasizing traditional mysticism over Western secularism or organized religion.
All characters are portrayed as able-bodied and there are no depictions of physical disabilities or neurodivergence in the narrative.
Present on Screen
Limited or Absent
Official Synopsis
It all starts when Rea invites her boyfriend Zacky to play jelangkung. Her friend scold at her for doing this but it is too late, calamity already begins. A spirit is haunting them and Rea tries to find a way to get rid of it. They go to see a paranormal, and they are told that the only way to get rid of the spirit is by pulling up a jelangkung doll that is planted one year ago in Angker Batu.

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