
Lembayung
2024

Representation Score
Minimal
2008
Director
Rizal Mantovani
Runtime
89 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Kesurupan operates as a conventional genre piece that prioritizes supernatural thrills over social commentary. While it provides localized representation through its Indonesian cast and setting, the narrative structure remains within standard genre boundaries. The film lacks intentionality in addressing multi-layered identities or subverting traditional power dynamics. It relies on established clichés that often reinforce traditional social and gender hierarchies rather than challenging them.
Category Breakdown
The film does not include any LGBTQ+ characters or stories that explore queer themes. It follows traditional structures common in mainstream horror.
While the story centers around a female protagonist and her friends, the possession cliché often portrays the female body as vulnerable. The narrative does not show women taking significant action to disrupt traditional hierarchies.
The production features a predominantly Southeast Asian cast, reflecting its Indonesian origins. However, it operates within standard cultural norms rather than intentionally disrupting Western cinematic traditions.
The plot relies on satanic spirits and possession, reinforcing traditional moral distinctions between good and evil. It uses supernatural elements without critiquing religious institutions or prioritizing secularism.
There is no indication that the film addresses neurodivergence, physical disabilities, or chronic illnesses. These traits are not presented as meaningful character elements.
Present on Screen
Limited or Absent
Official Synopsis
A college teen gets possessed by three satanic spirits after retrieving a mysterious odd doll. With the help of her two friends, they must race against time in order of what is something sinister happening to her before time runs out.

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