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Makmum

Name: Makmum
Director: Hadrah Daeng Ratu
Released: 2019
Duration: 91 min

Representation Score

2.2/10

Limited

2019

Director

Hadrah Daeng Ratu

Runtime

91 minutes

Average Rating

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New Showbiz Analysis

Makmum offers authentic Indonesian representation, moving away from Western-centric horror clichés by incorporating local cultural elements. The setting and religious context feel firmly rooted in a specific regional identity. However, the film adheres to conservative social and religious frameworks. It emphasizes traditional hierarchies and singular moralities, which restricts its exploration of overlapping identities. While the female protagonist is central to the plot, the character dynamics tend to follow traditional clichés of vulnerability. The film does not significantly challenge institutional or societal norms.

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Category Breakdown

Does Makmum have LGBTQ+ representation?

Minimal

The film centers on traditional religious practices and supernatural fear. There are no LGBTQ narratives or non-conforming gender identities featured in the story.

How does Makmum portray gender?

Fair

Female characters such as Maya play key roles in driving the horror storyline. However, these characters often conform to traditional horror clichés of vulnerability rather than challenging gender hierarchies.

How racially and ethnically diverse is Makmum?

Good

The production showcases a predominantly Indonesian cast and setting. It highlights regional authenticity by emphasizing Southeast Asian cultural and religious identities.

How does Makmum represent religion and culture?

Limited

The narrative is deeply embedded in Islamic traditions and moral teachings. It upholds established religious norms without delving into moral relativism or secular perspectives.

Does Makmum include disability representation?

Minimal

The film does not depict any visible or invisible disabilities. None of the characters navigate physical or cognitive differences within the story.

Present on Screen

Provides high levels of regional authenticity through an Indonesian cast and setting.
Uses local cultural and religious nuances effectively as a narrative foundation.
Avoids Western-centric horror by focusing on Southeast Asian identity.

Limited or Absent

Lacks complexity in exploring overlapping identities or deconstructing traditional social norms.
Gender dynamics adhere to traditional clichés of female vulnerability.
Does not include diverse identities, such as LGBTQ+ or disability representation.

Official Synopsis

While in the dormitory, the resident of the dormitory is terrorized by a supernatural creature. There is a kind of supernatural creature called "Makmum" (the follower) that follows them during prayer.

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