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Waterhole #3

Waterhole #3

Representation Score

1.6/10

Minimal

1967

Approved

Director

William A. Graham

Runtime

95 minutes

Average Rating

No ratings yet

New Showbiz Analysis

Waterhole #3 is a traditional 1960s Western comedy that adheres to the genre's established social and demographic norms. The narrative is driven by male-centric conflicts and individualistic goals, such as the pursuit of stolen gold bullion. The film does not offer diverse or subversive perspectives on character's ability to drive the story or social hierarchies. It reflects the homogeneous casting and heterosexual storytelling common to its era. Overall, the film aligns with standard genre conventions without challenging traditional social expectations.

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Category Breakdown

Does Waterhole #3 have LGBTQ+ representation?

Minimal

The film follows the heterosexual norms typical of 1960s Western comedies. There is no indication of same-sex relationships or non-binary gender identities.

How does Waterhole #3 portray gender?

Limited

The story revolves around male-driven action, featuring a gambler and a Confederate soldier. It emphasizes traditional masculine roles without challenging gender hierarchies.

How racially and ethnically diverse is Waterhole #3?

Limited

The narrative adheres to conventional Western clichés set in the American West. It lacks a diverse cast that could challenge historical norms.

How does Waterhole #3 represent religion and culture?

Limited

The plot centers on individualistic pursuits and material gain through the search for gold. It operates within the traditional values of the Western frontier.

Does Waterhole #3 include disability representation?

Minimal

There is no information regarding characters with visible or invisible disabilities. No representation in this category is documented.

Present on Screen

  • The film provides a clear, genre-standard Western narrative centered on high-stakes conflict and material pursuit.

Limited or Absent

  • The film lacks diverse casting and fails to challenge the traditional social hierarchies of the 1960s Western genre.
  • There is no evidence of non-binary identities or the subversion of traditional gender roles.

Official Synopsis

After a professional gambler kills a Confederate soldier, he finds a map pinpointing the location in the desert where stolen army gold bullion is buried. He plans to retrieve it, but others are searching for it too.

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