
You Are What You Eat
1968

Representation Score
Fair
1968
Director
Anthony Stern
Runtime
15 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Anthony Stern’s *San Francisco* serves as a visual ethnography of the psychedelic era rather than a character-driven narrative. Relying on rapid cuts and musical accompaniment, it lacks the structure needed for deep, layered character development. However, the film excels as a historical document. Capturing the urban landscape and communal energy of 1968, it offers a meaningful look into a period of significant cultural transition and societal change. Ultimately, the film's strength lies in its ability to disrupt conservative cinematic norms through its emphasis on the counterculture and the sensory experience of a shifting society.
Category Breakdown
The film captures the visual landscape of a period marked by social change. Though individual identities aren't explicitly discussed, the setting highlights the growing visibility of non-straight lifestyles and communal living.
The montage style offers a fragmented look at social dynamics. It avoids rigid, traditional gender hierarchies by focusing on collective energy, though it doesn't provide specific character-driven challenges to gender roles.
The film documents a diverse, multi-ethnic urban landscape. Its fast-paced imagery portrays a mix of identities that challenge the uniform depictions of American life.
The work is deeply rooted in the deconstruction of traditional Western norms. It emphasizes subjective experience and sensory exploration over institutional or religious structures, presenting the counterculture as a sophisticated alternative.
There is no evident portrayal of physical or neurodivergent disabilities within this experimental montage.
Present on Screen
Limited or Absent
Official Synopsis
One of the earliest music videos, the film shows various pictures of San Francisco in the psychedelic era, with rapid cuts and freeze-frames, and Pink Floyd's music.

1968

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2005

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1981
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