
The Gallows Act II
2019

2021
Director
Evgeny Puzyrevsky
Runtime
90 minutes
Average Rating
No ratings yetSynopsis
The story of how social networks and instant messengers are changing the life of a modern person. It has been several years since a 16-year-old teenager posted a photo of his girlfriend in the general chat, hoping to boast to friends. Now he has a happy adult life: work, friends, fiance Katya, who is about to become his wife. But the Internet makes you remember teenage love, after which a chain of inexplicable mystical events occurs with the future wife of a young man. The girl receives mysterious messages from her fiance's past. Because of them, her life turns into a nightmare.
Overall Score
Limited
Category Breakdown
LGBTQ+ Representation
The film follows a traditional heterosexual romantic trajectory. There is no evidence of non-cisnormative identities or critiques of heteronormativity within the story.
Gender Representation
The narrative centers on a male protagonist's history. While Katya is a central figure, she primarily serves as a recipient of external conflict rather than an active agent.
Racial & Ethnic Diversity
The story lacks indication of a diverse or non-Anglo-centric cast. It appears to follow conventional character archetypes without explicitly challenging ethnic homogeneity.
Religious & Cultural Diversity
The plot critiques modern digital culture through social media's impact. However, it does not deconstruct systemic power or traditional family structures.
Disability Representation
The provided material contains no mention of characters navigating physical, neurodivergent, or mental health disabilities.
Strengths
Areas for Improvement
AI Analysis
The Ex operates within the standard boundaries of the horror and thriller genres, prioritizing supernatural tension over social commentary. The narrative structure is built around a male lead's past mistakes, which dictates the trajectory of the female protagonist's experience. Diversity is limited by a reliance on conventional character archetypes and traditional romantic structures. The film focuses on personal history and digital connectivity rather than exploring intersectional identities or systemic social hierarchies. Ultimately, the film functions as a genre piece centered on interpersonal conflict. It lacks intentional efforts to integrate diverse perspectives or disrupt established social norms.

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